Friday, April 29, 2016

Water Pictures Doing Here?

Water Pictures Doing Here?
*edited 9/1/2020

Let’s tell the story of the pictures that represent who we are, shall we? This is our classic waterfall picture that we have used from our entrance into the internet world around ten years ago or so. It was taken by our drummer, Tony, pictured with his work. (Tony is actually quite an accomplished pro-type photographer.) It was taken at “The Flume” at Franconia Notch in New Hampshire.Our name is a Biblical one, with deep meaning. ‘Living Waters’, Mayim Chaim - מים חיים  is water that is flowing, alive, life-giving. It has been used by the Bible to connote God’s Holy Spirit of Love, and his quenching our spiritual thirst and hunger in the Eucharist, as in Psalm 42. We used this picture for our first album, “Refresh”, containing classic full-band tracks. Here is the result below. If you look really closely, you will find tiny words hidden among the crags; I didn’t know how to get rid of them at the time, so there they stayed!



Here is a close-up of the script band title which we have used at times:



Another classic was taken when the bass player, Dave, went to the ultimate waterfall, Niagara. His daughter took the photo. This frozen yet flowing scene was perfect for our Christmas album, “The Joy”, named for Mike’s song. I should really give credit to my wife, Julia, for her sense of presentation for these pictures. Pictured are Dave & Kathy and Jackie at her wedding.
 






In 2015, I took a quick snap of the water at Mine Falls Park in Nashua, NH, for our newest EP, “Alive Again”. This is the result, as seen on BandCamp:


Another picture we have used is from the altar of my school's chapel, depicting Psalm 42, and the Eucharist:


And we took pictures of the Falls of Song in NH (how appropriate!). This was adapted and used for the cover of "Still Flowing": 


And in 2019 we obtained a great picture for our new album, and a brand new group shot:




Peace & Love & JOY,
Mark LaJOIE!


Tuesday, April 12, 2016

Do What He Tells You to Do





Bud MacFarlane, author and blogger, earlier responded to our song in this way: “I've listened to your song [Do What He Tells You to Do"] about 15 times since I sent off the email! Even the live version. Even the Booze song....” Sounds likes he likes us!

Thursday, April 7, 2016

The 20th Anniversary of the "Lonely Dancer" Video!

The 20th Anniversary of the "Lonely Dancer" Video!

(Some material re-posted from July 28, 2010)



Click the link below to watch & listen!

https://www.reverbnation.com/artist/video/11184972 for video

http://www.reverbnation.com/play_now/13632997 for "classic live" audio

Yes, it's true! It has now been 20 years since Mary Gillis ( may the Good God rest her blessed soul) created a video for Mike's beautiful song, "Lonely Dancer". Several of us went to Jim's cellar to record the tracks for the audio, and she gathered several of us down at Mike's club in Boston to shoot the video. She was doing it as a project for the course she was taking at UMass Lowell. Mary had a deep, abiding love for all of us and our music, and I think this was a labor of love for her. The following is the original post I wrote when we preserved the video onto DVD. Please, enjoy!

In a sense, Living Waters was ‘born’ with the arrival of the dancers. In the first months, Dave, Jim, Kathy, Joline, Danny, Chuck and I started singing and playing for things because we were all musically inclined and there were signs of talent there. At first, we were meeting out in “the Annex”. I remember singing Lighthouse songs and “I Love You” by Larry Norman (the song we didn’t know how to end!!) What we were doing at first was pretty rudimentary. When the dancers arrived, it began to dawn on us that we could have a whole production.

The dancers began as a separate group associated with the prayer group. They gathered several girls who went to those prayer meetings. It was called “Rejoice” (I think? confirmed!). It was started by Ann-Marie Donovan [now Babish], an elementary school teacher who fully displayed that patient, kind persona to all of us as the years went on; in a sense she was like a mother in our birth as a group. She had gone to a Benedictine monastery in Pecos, New Mexico and experienced “liturgical dance” there. This is a style of dance that emphasizes prayerful motions to help tell a story or underline an emotion being heard in a song. Dancers like these often wryly expand the words of Augustine, ‘He who sings prays twice’, to say that she who dances prays three times!

I don’t remember how or when it happened, but, just like the Brady Bunch someone said, ‘why don’t we put the music and the dance together’. Among the first dancers were Beth Medeiros, Beth Timledge, and Michelle Cormier, and at some point in those early days they had Peggy York, Cindy Markowski and male dancer Bob Alence. (I think we all remember him best in the late ‘70’s for “Dry Bones” which approached drama or pantomime.) I used to taunt them by always pronouncing “dancers” with an exaggerated English accent: the ‘dunces’.

Eventually, Ann-Marie had to leave us but it was around this time that Chuck Rossignol and Omer Bourque decided to have “try-outs”, and, boy, was it a serious and elaborate procedure! They had check-sheets and forms and a schedule and it felt like “American Idol” does now. Two best friends from Westwood who were going to the prayer meetings came together, trembling with fear and hope, Kathy Sullivan and Denise Carr. Denise wanted to sing and it was pretty obvious she could to Chuck and Omer, and Kathy wanted to dance. Kathy had a similarly impressive ‘body/kinesthetic’ talent; she was accepted and a new era began.

Kathy filled the leadership vacuum and became a creative catalyst for the next several years as Carole Chatalian and Anne-Marie Bourque and later Julia Tice added their talents. Especially gratifying to me was the fact that there were many original dances that perfectly complemented the original songs. Like anything, the early days were bound to be somewhat derivative, imitating things we liked. But, thanks to Kathy and the girls, Living Waters became who we are as performers and believers. They contributed meditative interpretations like “Make Me Free” and group works like “Tonight” or “He That is in Us”. Of course, very early on Kathy became Mrs. David Bourque and their sons have become musicians and actors and Jackie an accomplished dancer.

The song “Lonely Dancer” was probably a high point for both music and dance. Mike McBride seizing on our group dance identity perfectly tapped into that feeling of life as a dance (something I expressed later in “Endless Dance of Love”). This song epitomizes the story-telling aspect the dances began to embody. In the mid-80’s we had a whole “Prodigal Daughter” story-telling piece using many songs with drama and dance. On this song, John Drahos joined in with Kathy to play the Lord in something that became a highlight that people made an effort to come to a Living Waters show to see.  (Musically, Mark played bass, Dave moved to synth and Greg started on acoustic and moved to electric.  The audio I have is of an early version where you can hear the song being born.)

Years later, our drama person Mary Gillis was going to school for media production. She had a project to do and could think of no better subject than Mike’s song. So she enlisted a bunch of us in a complicated schedule. Some went to a stage to film the dance and extra pieces (very nicely done). Others went to Jim’s cellar to lay down some tracks. The result is what you see here. It has lain dormant on VHS for all this time, until now when I decided to preserve this beautiful thing on DVD.

Life is a beautiful dance and the original dancer is the Lord himself who wants to dance us through our loneliness and pain.



LONELY DANCER
By Mike McBride
Copyright 2011, RN SR 679-889

The curtain rises and the lights come on
The music starts, I realize I’m on
But I’ve never heard this song
All my movements come out wrong

I look beside me; no one stands there
Louder music comes from anywhere
I feel upon me eyes that stare
Crowds of people everywhere

(They stand and stare) They stand and stare
(From everywhere) They stand and stare
From everywhere
I know I see them all
But I’m afraid I’m gonna fall

Suddenly I feel your presence
Taste of love and your sweet essence
You have come to dance me through
As you lead I follow you

(I follow you) I follow you
(I follow you) You will lead me
Right on through
(Hold my hand) You hold my hand
(Take a stand) We take a stand
(All demands) Suddenly we’ve conquered
All demands

There is an answer for me a lonely dancer
You are the answer for this lonely dancer

The stage lights dim, they bring me roses
The people leave, the theatre closes
But we keep dancing on and on
We don’t want to end this song

(It will live on) It will live on
(Like a song) Like a song
We’re living on and on

There is an answer for me a lonely dancer
You are the answer for this lonely dancer

(lead)

I have found what I believe in
I won’t be leaving
I’ll keep on dancing
Living from what you bring

There is a way
You are the way
I have found you

Saturday, April 2, 2016

An Easter Backing Track Release!

An Easter Backing Track Release!

Click this to hear the backing track for "Forever": 
Click this to hear the song with vocals:

Easter is not a day. It is a 50-day season. The 'octave' of Easter has also always been a way of celebrating the Resurrection. More than that, it is an attitude and a way of life. As St. Augustine once observed, "We are an Easter people, and 'Alleluia' is our song"! This song culminates in the wonderful invitation from our gentle yet powerful Lord, "Up, up from the tomb, rise with Me! Rise to eternal splendor"!


So! Here is another in our series of our 'backing track' releases. The group often performed this for conferences, penance services and many other venues. This track, I created myself (Mark). I wrote up some sheet music lines on Noteworthy Composer and transferred them into GarageBand using different instruments, such as strings and piano. I added some tracks of my 12-string and overlaid the vocals. For this version here, I removed all vocals except the last chorus. I have actually used this to perform the song a few times, playing guitar and singing live with this as a backing. If you know the song, you could use this version to sing over, if you wish. Just let us know about it, and support us back in some way, and that is good enough for us.

I took a lot of care in arranging this. One thing you may notice is that during the transition, everything drops out except simple chords on the piano and chiming harmonics on the 12-string. Then, things slowly build to the Resurrection final.

Please! Enjoy this latest offering, "Forever"! OR at least for as long as a good listen....

Peace & Love & JOY,
Mark LaJOIE!