Here is a GIF for "Do What He Tells You to Do!"

 

 On the Bus Again!

Here are a couple of pictures from the early 80's!

You can see Joyce in the foreground reading; Mark & Chuck Trella playing guitar as they did for endless hours on so many trips....

Sharon is smiling! With Joyce, she is waiting to help; Mark & Dave are handling the box; there is Tony's drum seat in the foreground

Setting up the stage & mike stands; EVERYone helped

Outdoor concert as we did often; there is participation going on here

 Earli-EST Living Waters!

The very earliest version of Living Waters, in the first couple of years, would have looked like this. Notice Kathy Hilliard is our female singer, Danny is on his 12-string, and Jimmy, his brother, is still our drummer. We already had Mark, Mike, Chuck and Dave who would be part of the 'classic' lineup. Very soon, Tony & Denise, Kathy ("Sullie"), Greg and others will show up to complete our identity as a performance and as a family. When we'd show up, we'd empty the boxes and put them out as risers. We would have to hoist the piano to the stage, for Mike to play, in many places. Our very first concerts we did not have the dancers, but, soon, the "Rejoice" group joined us. In the first picture you see the full stage with the dancers! with Mike on piano on the right. There seems to be a pretty good crowd. Kathy is probably singing "Christ's Blood" in the third pic. You can see Mark with an early electric Fender and Danny on his 12-string.

 Want to See an Old Show?

Here is a crumpled old show list template for the "Spring & Easter" concert season from the early days. (It is Chuck's handwriting.)

Those shows were LONG! Combined with all the Sunday night practices, it was a crucible, burning our performances deep into our muscle memory; I'll bet we could still perform some of these songs right this minute if asked.

This lets you know the early covers we used to do, like "Mirror" and "Isaiah 60". You can also see that we never got recordings for some of our originals listed. We were going out every weekend, just about. Note that "Nobody Else" was always the 'encore'.

And here is a letter and some pictures from a Christmas show we did for St. Brigid's parish in Lexington. We used to do carols and the Twelve Days of Christmas with placards. EVERY Christmas we did these shows for so many years! This is a very thoughtful, heartfelt note.

Notice how Chuck and Jim were addressed in this letter, serving as our guys 'out front', booking all the shows. That let the band, dancers and drama concentrate on our practice preparation. Notice how the equipment boxes were used for risers. Be on the lookout for more memorabilia!

Peace & Love & JOY,

Mark LaJOIE!

FOUNTAIN of every Blessing!

FOUNTAIN of every Blessing!

Most Sacred Heart of Jesus

Fountain of every blessing

I adore You

I love You

And with a lively sorrow for my sins,

I offer You this poor Heart of mine.

Make me humble, patient, pure and wholly obedient to Your will.

Grant, good Jesus, that I may live in and for You.

Protect me in danger,

Comfort me in affliction,

Give me health in mind and body,

Your assistance in my temporal needs,

Your blessing on all that I do,

And the grace of a holy death in You.

Amen.

"Make Me Free" on Spotify

*this is a reprint of an older blog posting! The phrase "a love for us that never ends" is from the "Anna Post Video"

When I was 15 after the first exhilaration of my conversion experience and seeing miracles and so forth, one day it all came crashing down to earth. I began to falter again under the weaknesses and burdens I had, feeling all bound up with all the negative patterns that had built up for so long. I did what I had the first time: I fell to my knees, admitted my helplessness and turned to the Lord in trust. “Make me free”, was the phrase that kept recurring. I picked up a prayer card and began to recite the prayer there. It was the Sacred Heart Prayer from the Sacred Heart Fathers from Racine, Wisconsin [the same ones who used to give out those metal Sacred Heart Auto League car stickers]. I had been saying the prayer every day, but now I prayed it with desperation and determined to DO something to make my trust REAL; I would do the First Friday Devotion thing and to go to Mass every day. Here is part of the prayer:

“Most Sacred Heart of Jesus…I love you…I offer you this poor heart of mine, make me humble, patient, pure and wholly obedient to your will…grant me the grace of a holy death..”

I had prayed it before, but now with poverty and desperation. And then it happened: a song started coming to me, a verse and a chorus, five times. (Eventually we cut this to four verses for performance.)  Several of the verses were reminders that we need to open up to others and see more than ourselves, something I sorely needed [and still need!] to do. It truly was a freeing experience. I should just let a loving Heart look after me and concentrate on living and loving.

A few years later after I’d done some more trusting and ministering, the final rousing coda came to me in a rush once. It’s okay to pray for a holy death, but that comes by LIVING with all you’ve got.

The amusing genesis of the song actually came before what I began with here. I went to a big Charismatic conference and everyone was engaged in praise and I was really throwing myself into it – it was so freeing! My eyes were closed and I was concentrating intently when I began to notice people laughing. As I opened up my eyes and looked around I noticed everyone else was sitting down looking at me. HOW EMBARASSING! (I seem to have a special talent for embarassing myself!) I was red-faced and crestfallen as I sat down; it’s always been one of my biggest fears, not knowing the etiquette of situations, afraid of offending or making a fool of myself. The very kind speaker said something like “Thank the Lord for freedom.”

Now, after this, a man I trusted deeply came up to me – I’m embarassed to say I’ve forgotten who it is!- and said simply, “The Lord wants to give you a song on freedom”. Now, I know I trusted the guy, because that’s the kind of thing you would have to! With a very simple reaction I ran to the Chapel, knelt down, furrowed my brow intensely and waited expectantly. I imagine I came out of my crouch once in a while to sneak a peek skyward to see if anything was dropping down directly upon me. When nothing happened, I chalked it up to a mistake and forgot all about it. It was maybe a couple of months after this that I got “Make Me Free”, and I recalled that incident. I don’t know if it was the suggestion of it that planted the idea; that’s certainly possible. But this song is just so darn good, I’m inclined to believe maybe the guy did have a genuine inspiration.

The insight it gives is crucial to everyone. We’ve got to let God be God and just learn to love and trust! That’s pretty simple; it’s not always easy. Lord, help us to be free by living in your Love!

Peace & the Freedom of Agape Love
Mark Lajoie

P.S. The chef at Oblates was Roy McKay; I did the pots and pans and worked for him. This was his favorite song and I did it just for him a few times and he was always pulling me out to do it for someone. He had real insight into people and their motives. I grew to love old time country in his kitchen. ( And I'll never forget his green mashed potatoes on St. Patty's!) He has since passed on, but his example and memory is a treasured one for me and many who knew him.

 "Give Through Devotion"

CLICK the title above to hear the song!

If I’m not mistaken, this live version is the only time we ever did this song as a group.  I play it usually every year at school for my students and I have done it solo at some coffeehouses in the past.  This version probably suffers because it is an impromptu first attempt debut. I had just written it, and I tried to teach the band real fast so we could get it in. You can tell! It is too fast in parts, and I am royally messing up my words, trying to fit in too many where they could not fit. Ah, well!

It's got nice transitions from verse to chorus and back, and the bridge really works, I think. One student commented today that he wished we could record it in a studio. That would be nice! It would probably take a miracle at this point, but it is pleasant to imagine it.

This was a song I wrote after I had started teaching when the group had stopped playing regularly.  It was my first job as I completed my Masters at Assumption.  Then as now I was teaching Freshmen on personal growth, giftedness and the meaning of love.  Together with my mentor, Meg Curran, I developed a lecture which I chose to call the “Feelings Lecture”.  This lecture tries to explain for the students the role ‘feelings’ plays in the normal moral life using C.S. Lewis’ Four Loves.  The new kind of unconditional, sacrificial love Christians saw among themselves was so novel in the pagan world they had to come up with their own name, “agape”.  The thing about this love was that, unlike eros or philia, it was not a feeling but a moral action.  Marriage Encounter says ‘love is not a feeling, it is a decision’, and this is what they mean.  A good word to describe this kind of love is “DEVOTION”.  The lecture strives to encourage the kids to build their conscience and act on principle not feelings.  “Devotion” is the key to happiness in life! This also fits with the virtue of Hope and the nature of the Covenants that God has used to move his Sacred Plan forward through Salvation History.

The actual impetus for the song involved this one particular kid.  Some of the adults were talking about him and they said something which in effect was giving up on the kid, “he’s never going to be the same’.  Well, my feeling is that God never gives up on so-called “failures”; he never gives up on any of us. I wrote this as a reaction to that lack of hope.

I do a little exercise where I describe how some famous person could be seen as a “failure”, until you hear the name, and you realize they refused to accept just being a failure.  I also tell the story of St. Mary of Egypt who started as a Christian-hating prostitute who specialized in seducing clergy in order to discredit the group she hated so much.  One day in Jerusalem, she decided to enter the Church of the Holy Sepulchre itself to seduce within that holiest of churches.  An unseen wall [like they had in Star Trek!] prevented her and she had to face her degradation and tailspin into hate and lust head on.  She decided to go to the desert and find the truth.  Eventually, she became so wise and holy that Emperors and Popes came to ask her advice.

This kid at my first school, as I recall, was helped a lot by a priest friend of his and really seemed to be trying to get on the right path.  As you listen to the song you can hear little scraps that allude to this kind of situation.  The whole idea sprang out of the overheard comment featured in the first verse.  If we can get enough kids to believe and love strongly, with “devotion”  and virtue as advised by this song, I really DO think “the world will never be the same”!

Mark's Story about "He That is In Us"

CLICK for a live version of "He That is in Us"

I want to honor my father, Raymond Joseph Lajoie, who died about 20 years ago. He was one of the greatest men I've known from the "greatest generation". He had to run the potato farm up in Van Buren, Maine at 10 years old because his father was an alcoholic. He worked many different kinds of hard labor: lumberjack, builder, mechanic, millwright at 75. I discovered only at his funeral that his compatriots on Guadalcanal considered him a hero. He had trained them in hand-to-hand combat and led them well. His faith and religion meant everything to him.
He had just one enormous problem: like his father, he, too, was an alcoholic. When she first married him, my mother discovered that PTSD and this addiction plagued him. After my 2 brothers were born, she divorced him. He went to the Church and "took the pledge" as they did in those days, they remarried, and he was sober for eight years. In that time, my sister and I were born. We had an idyllic life living on a lake - until I was three. Then we moved to the city and Dad broke out. The next five years were really bad. Finally, the priest told my mother you can't live with such a bad alcoholic. We moved in a small place and I didn't see him for ten years.

After my conversion, I was at St. Paul's Center and I went into a room and started bawling from the pain of missing my father. Mr. Tondreau saw and came to talk with me and others came. One single thing changed my life. Someone said, "Do you pray for him every day?" I had to admit I didn't. "Do that and mean it."

I did. I reached out to him, too, and sent him "My Daily Bread". I went to go see him. I didn't talk or preach at all. I was there, that's all; and I prayed. A little while later, I found out he had gone to Confession and was going to Mass every day and had moved out from the woman he had been with. The transformation was total. For the rest of his life, working for Lajoie Brothers, he became the pillar of the whole extended family and someone all my cousins could go to.

After I had moved to Massachusetts, I went up to see him one time. It was an amazing experience to FEEL the depth and power of his confidence and faith. He was walking with God and I could feel the Holy Spirit POWER.

I walked out of there singing "He That Is In Us" at the top of my lungs. It was his confidence now living in me.
Later I worked at a detox for alcoholics for many years and saw a LOT of things, but what I experience over and over through the 12 Steps is that turning to God was the answer not just to alcoholism but the ultimately natural and sane act of human beings. And, besides being a "dry drunk", it's the ONLY way to be free of it.

"He That Is In Us" became a song we did many, many times in the late 70's and the dancers had a cool dance to it. It's an early and simple song, but I sure like it; and, of course, because of my father, it has a deeper meaning for me.

I sometimes told my friends in detox that they were lucky. "What'd'ya mean??!?!" they'd say. "You know you need God! Everyone does, but most don't know it; you do."
Thank you for reading and listening, if you did.

May the Lord deliver you just like He did for Raymond Lajoie.
Mark L

My father, Raymond, top row, second from the left with his brothers and sisters.

 Mark's Most Memorable Albums!

Mark Lajoie has been the lead singer in the band, a composer, arranger, et al. SO! He has had some affect on the type of music Living Waters has produced. Our lead guitarist Greg's love of Rush, The Who and U2, among others, has certainly had an impact. Tony's mastery of jazz drums, Mike being a main songwriter, as well, have added to the flavor. Everybody who's sung or played has contributed a piece to what LW is. But it would be interesting to see what has influenced Mark. Going in time order, Let us join Mark as he lists his top most influential albums:

1.    "Meet the Beatles"!

I was seven when the family went to Roseland Restaurant in Augusta, ME circa 1964. They used to have jukeboxes right in the booths where you could put in the tunes, and they would play throughout the restaurant. I don't know why my dad kept feeding me the quarters, but I played "I Wanna Hold Your Hand" about 13 times in a row! Soon the whole restaurant was looking over at our booth - I can't say that I blame them! I watched the Ed Sullivan show, listened to their other songs from that first album released in the US. As an addendum, later on that year, I walked into Woolworth's five-and-dime and bought my first single with my own money; it was "Hard Day's Night/I Should Have Known Better".

This built upon listening to all my brother Danny's 45s when I was younger than this: these included Everly Brothers, Motown, teen idols, and a lot of Dion. Later on, when LW members played school dances and such as a secular band, called "Siloam"(!), we actually performed several of the songs from these early albums.

2.    "Peter, Paul & Mary"

This would soon include the folk rock of the Byrds, and others. This happened because after taking advantage of Danny's 45s, I began to devour Don's LP albums during the mid-60s! One I wore out over and over was the double live album by PP & M. This included "Jesus Met the Woman", "Rock My Soul", "The Hour That the Ship Comes In" and more. This affected me! You can hear some of this in the demos I made of "A Stand of Courage" and "Ring the Judas Bell", which also has a fuzz bass like the next entry....

3.    "Rubber Soul"

You may think I wore out PP & M?? Well! I just consumed Rubber Soul! The first fuzz bass ever was in "Think For Yourself". Dave came up with the intro to "Sing to Jesus", but I ran with it in a Rubber Soulish direction; it sure sounds kind of like "I've Just Seen a Face", doesn't it? Of course, all the other Beatles stuff found its way to my ears. You can hear later John Lennon in my "Booze Blues Cruise".

4.    Classical Music

I got very tuned into chorale-style classical music. At one point, I sang in the city chorus doing "Seven Last Words of Christ" on the altar at St. Augustine's in Augusta. I absolutely loved Handel's "Messiah", and that played a BIG part in my conversion experience later at 15. A love for the Romantic composers was followed by an obsession with Bach and Mozart. As an older adult? Vivaldi is my man.

5.    "Best of Cream"

Around 1970 or so, at a time when I felt very lost, I immersed myself in Top 40 radio (a great time to do it, as it turns out), but I once again appropriated one of Danny's albums, The Best of Cream. I just loved it! What a discovery for me! I especially loved "Badge". I had gotten a cheapo $20 guitar from A & P grocery store. I would figure out how to play some of it by ear. Sometime that guitar was missing strings, but that didn't stop me! I just re-tuned it any old way I could get it  to talk for me. My very first recording was of "White Room" where I laid down the bass on a cassette recorder and then played the lead over it. I did the same thing with Ringo Starr's "It Don't Come Easy".

6.    "Boston - Boston"

The very year our band officially started, when we were living at the retreat center, and were playing music on a regular basis, one of us bought this album. I remember Jim, Mike, and the guys were in Dave's apartment, and put on this album. Our jaws hung to the floor. This was incredible! The local connection was big for us, being in the same area as them. We even tried to do "More Than a Feeling" for Mike Higgins' wedding reception, where we played as "Siloam". No one can do that like Boston. You can hear their influence in a LOT of ways!

7.    "Servant - Shallow Water"

Here's where the early classic Christian Rock began to affect us. It was hard to get this cassette!! And it was rushed out so fast, the song order was messed up! But I listened to this SO many times, and then to "Rockin' Revival". I would drive around in my 1970 Mercury Marauder, windows open, blasting this album. They seemed to be very genuine people. I lost track of them when they segued to 80s-type albums. Some of us went to go see one of their live concerts in Mass., and even helped them to load their bus after. That was one of the best concerts I ever saw. That affected me!

8.    "JMT - The Lord's Supper"

John Michael Talbot was a leading Christian music guy, who became somewhat of a contemplative monk-style musician. We were Catholics, so I knew this album would be right up our alley; I didn't know how utterly impressive the songwriting, arrangements & orchestration would be! It is a masterpiece. We actually regularly did a couple of responses from this album when we did weddings, Confirmations and such, as we often did. We got to play a concert with him in 1988, which is a precious gift indeed. I later also enjoyed "Heart of the Shepherd", "Come to the Quiet" and others.

9.    "2nd Chapter of Acts - Rejoice"

I went out to Estes Park a couple of times in the early 80s, to the Christian Songwriters' Conference, once by myself, once with Mike. I really began to radically tune in to those doing similar music to what we were doing. The classical-tinged power vocals of the Wards just utterly floored me. I latched onto this album in particular, because it featured the matchless guitar of Kerry Livgren of Kansas. Perhaps you can catch a whiff of this album in some of the later songs I wrote. At one point, I was singing "Bread of Life" with a choir I had.

10.    Christian music - all sorts

(U2 was a major influence on us in so many ways, but I am not including them. I feel like they sold out in several ways; I don't want to patronize them. They were an adjunct to Christian music in the 80's and 90's, but I will not talk about them here.) I will toss in a couple of other Christian albums that I wore out and had a big effect on me. Phil Keaggy's "Play Through Me" is one, and "Something New Under the Sun" by Larry Norman is another. I've definitely had a bluesy streak in me, as in "Roll the Rock Over" or "It's Not the Same", and I think Mr. Norman probably helped with that. There is so much more music of all sorts that I could mention, but I think I've hit the big ones that are part of me and colored my writing style. :)

I hope you enjoyed this little tour. Go and listen to some of these and then listen to Living Waters, and see what you can hear!

 Pentecost is Coming!

On Day One of the Church, three thousand received forgiveness through Baptism, the "breaking of the Bread", and the Gift of powerful prayer. Let us pray these next few days with the Apostles and Mary in the Cenacle, that, on Pentecost, we too may be filled to the fullest with grace!

Pentecost Playlist on RN
Pentecost Playlist on Spotify

Sunrise on Mount Snow!

 

Sunrise on Mount Snow!

Living Waters Featured Song

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FEATURED SONG Sunrise

Who knows how many years Living Waters went up to the top of Mount Snow for an Easter Sunrise service, hosted by our beloved deacon, Paul Mello? Sometimes we hauled equipment up there by the big snow vehicles.  There were certain songs we usually did: "Song of Witness", "Easter Song" by Second Chapter of Acts, "Was It a Morning Like This" by Sandi Patty (sung by Denise). Julia says she always liked our version of "Easter Song" best! We would go together to Mass in Jacksonville and get together at that big house many of us had helped to build. One song that comes to mind is Mike's "Sunrise". He actually wrote it back in the early 80's, but it was just recorded in our latest album, "Overflow". Up on this slope, can you hear Your Maker, who defeated the power of sin, vice and death whisper to you, "I'll be here with you till the ending; I was here with you from the start"?

A New Review this Easter: Alleluia! Alleluia!

 A New Review this Easter: Alleluia! Alleluia!

Our classic, "Sing to Jesus", just got a new review in time for EASTER!

Living Waters - 'Sing to Jesus'

Review by Daniel Deprè

“Sing To Jesus” is a crowd pleasing jam that is a heck of a lot of fun. There is something very endearing about this song as it’s truly welcoming and warm. It has a classic rock vibe that calls to mind the stylings of Neil Young and The Cars. The song is well arranged, and the vocals are sure to inspire anyone to sing along. This is the kind of song you want to see performed live so you can really feel it’s positive energy and chant the chorus with the band.

Lyrically, this is a song about singing to Jesus when you are feeling the blues. The songs heartwarming nature lends itself to the lyrics which are offering Jesus’ love to lift you up out of the gutter. It’s nice how approachable the lyrics are in the way they are written. They are kind and catchy. “Sing to Jesus when you’re feeling blue, he will show you just what to do, Jesus knows about hurt and pain”. The Chorus than employs some really catchy Non-lexical vocables that are easy to get a hang of.
The arrangement is the traditional classic rock setup and it totally jams with confidence and pride. The piano and acoustic guitar fill in the middle nicely with some ornamentation and rhythmic accompaniment. The electric guitar gets to show off a bit with a few short solos that are busy and impressive. The guitar also gets to give some grit to the song by playing low with lots of distortion in a few of the verses. The vocals are warm and thrive in their mid-range zone, allowing anyone to sing along. The harmonies add a really nice texture as well to the vocals, especially in the chorus’ where a whole group of vocals are introduced. It really creates the sensation of togetherness. “Sing To Jesus” is a forgiving song that will bring the light of Jesus back into your life. Stream on Spotify Connect on Facebook For more information, please visit Living Waters website