'NOTHer Backing Track! God is With Us
To hear the backing track? click this!:
And to hear the full version with vocals? click this!:
View of the Marist House across from our 505 Pleasant house (where we recorded this)
This is a song that I (Mark) wrote. I wanted to get the effect of chiming bells in the beginning, so I am plucking the C-G-G and then the E-C, with the change from the fifth to the third. And Greg, like some sort of genius decided to add those harmonic hammer-ons, which sound, of course, exactly like bells! (This basic effect is reprised at the end of every chorus.) The verses are in C and choruses in G.
Then Mike CHIMES IN with that da-da-da-da-da-da-da-da-da-da-daaaah riff that I had composed. I wrote the basic riff, but Mike RAN with it. He did it both on piano and synthesizer. And then he figured out how to continue the effect of the basic riff through all the chord changes, in a way that so sweeeet! so bellissimo! We then mixed the different instruments in a way that perfectly complemented the lyrics of verses and chorus. Mike really is the instrumental star here.
The bridge accomplishes a really cool key change sequence that ends back at the chorus. What Mike managed to do there is just so fantastic; listen to THAT and be amazed. How do you maintain the sense of the basic piano riff while going through all the key changes, meanwhile making it all seem as smooth as silk. I love the baroque-flavored harpsichord thing on the 'Gloria in excelsis deo' segue to the chorus.
The way Greg chimes in with distortion at just the right times is beautiful, lending power to the key chorus declarations. Listen to Tony on the drums; he is using lower/deeper runs as accents during the chorus, a very nice expert touch, as usual. Dave adds perfect bass runs especially at the end.
I suppose we should mention the funny incident at the end. We were all in the cellar playing certain parts for the lead-in to the end when Mike played that one long C on the synthesizer. What you can't hear is that he was yelling at the top of his lungs, "WHAT'S THE CHORD?!?! WHAT'S THE CHORD!!??!". He finally remembered at the end, but that unintentional held note turned out to be effective and perfect for that spot!
We did some very nice vocal arranging on this, too, so be sure to listen to that. The guys liked to make fun of how I sang, "just LAHK me"! Please, enjoy!
Peace & Love & JOY,
Mark LaJOIE!
